I love fall. Growing up in Idaho, autumn generally just meant snow, but here in Michigan it’s a whole other thing that I’ve come to love. Leaf watching drives and cider mills are something I look forward to all year round along with supplies for back to school, bright-eyed and ambitious students in my classes, and a new crop of new movies going into the wintertime awards season. The end of summer is sometimes a garbage dump of movies studios don’t care about, but once the Labor Day weekend rolls around, it’s a parade of big-name, high-budget prestige pictures that get me excited to get back to the theater.
I’d like to preview a few of the more interesting and
provocative films that are coming our way.
Opening September 21 is a new documentary by raconteur and
fellow Michigander, Michael Moore. Riffing on the title of his 2004 film about
the September 11th attacks, his new project is called Fahrenheit 11/9, election day for Donald
Trump. In the film, Moore criss-crosses the country, interviewing people about
the effects the current presidential administration has had on them. I’m not
sure how it relates exactly, but the trailer features Moore pulling a tanker
truck up to the gates of Governor Rick Snyder’s mansion and using a hose to
spray the Flint water onto his yard. Agree or disagree with Moore’s politics
and tactics, Fahrenheit 11/9 will
surely have people talking this fall.
On September 28th, we’ll have what is apparently
our final opportunity to see Hollywood icon Robert Redford on the big screen.
In The Old Man and the Gun, Redford plays
Forrest Tucker, a real-life career criminal and prison escape artist who,
according to his own words, escaped prison “18 times successfully and 12 times
unsuccessfully.” In the film, Tucker escapes San Quentin and goes on one last
bank robbing spree. An old man who is retiring playing an old man who is
retiring strikes me as really interesting and makes me think of John Wayne’s
final film, 1976’s The Shootist in
which Wayne, who was dying of cancer, played a legendary cowboy who was dying
of cancer.
October 19th brings Melissa McCarthy in a rare
dramatic role as Lee Israel in Can You
Ever Forgive Me. Israel was a real-life literary biographer who fell on
hard times and began a career as a forger and thief. De-glammed in a story based
on actual events and switching from comedy to drama is one of the combinations
the Oscars and Golden Globes love to reward, so we’ll see how this turns out
for McCarthy.
While it will only appear on Netflix and not in theaters,
the November 9th release of The
Other Side of the Wind bears mention. It is the final film of Orson Welles,
the idiosyncratic writer, director, and actor who changed film forever with Citizen Kane and then could never quite
seem to catch a break after that. Filmed between other projects throughout the
70s as money became available, The Other
Side of the Wind stars the legendary John Huston as an Ernest Hemingway
type fictionalized as a movie director. Apparently the film is a Hollywood
satire in which Welles laments the passing of the lions of classic Hollywood
and fears the modernity of the upcoming film school generation. Between never
having enough money and a ridiculous amount of legal trouble involving the
rights to the film, Welles never finished it before his death in 1985. As much
as I begrudge Netflix for pumping hundreds of millions of dollars into lame
movie and tv projects in a throw-it-all-at-the-wall-and-see-what-sticks
strategy, I do appreciate that it’s is a platform for projects like The Other Side of the Wind that would
otherwise never been seen.
So there are plenty of interesting films coming out this
fall along with new mainstream tent pole and superhero movies, of course. Make
some time between your foliage drives and cider mill trips to see some of them.
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