When my friend and former colleague Ryan Wilson started
writing and recording Take Five on Film about seven years ago, things were different.
The show was actually five minutes long and it played on Saturdays. Ryan would
go see a matinee showing of a movie on Friday, write a rough script on
Saturday, revise it on Sunday, and record it on Monday. He did all his own
recording and production work and by Tuesday morning, he had a well-crafted
five minute review of a new movie out on the airwaves. Each show began with the
now-very familiar sounds of George Benson’s version of Dave Brubeck’s famous
jazz number, "Take Five."
Ryan valiantly carried Take Five on Film on his back for
half a decade, and his show was one of the things I was really excited about
when I came to Delta College three and a half years ago. I set an alarm on my
phone and tried to make sure I was in the car, listening to the radio when it
played. I appreciated hearing his insights into new releases as well as more
obscure films on disc or streaming. I’m a movie guy, and so really any conversation
about movies – even a one-sided one in the car on the way to work – is a good one.
When Ryan announced that he was leaving Delta, I was sad to
lose a mentor and a pal. And I felt a little like Hamlet’s uncle in that I
didn’t wait very long for the body to get cold, so to speak, before I moved in
and asked if I could continue his show. But he thought that sounded like a fine
idea, so in September of 2014, I recorded my first show. The show moved to
Friday mornings, so the reviews might help people looking for something to watch
over the weekend. And broadcasting majors took over the producing duties of the
show, for which I was very grateful.
In the two years since I’ve been doing the show, two other
major things have changed. First of all, NPR changed their hourly clock – the
amount of time they spend on newsbreaks, station breaks, and the like, and our
window of time for the show went from five minutes to four. It wasn’t a big
deal. It just meant two or three hundred fewer words for me to write each week.
The other thing that changed is that Q90.1 began making
itself available online by offering its locally produced programming as
podcasts. You can now hear cool shows like Lifelines, A Moment in Time, and
Studio Q anywhere you have wifi. This is a great development for people who
want to hear our programming when they’re not near a radio, but it complicates
things a little because it would require us to pay for the rights to use our
theme music, which, given our operating budget of zero dollars, isn’t going to
happen. So our show is no longer five minutes long and we can’t use the theme
music called "Take Five."
Consequently, it’s time for a change. After today, your
friendly neighborhood radio show about film and film-related events in the
Great Lakes Bay region will be known as Moviehouse. I like the old timeyness of
the name and how it suggests a big, old fashioned movie theater, but I also
like how it acknowledges that these days with laptops and smartphones, the
whole world is one big house of movies.
So there will be a new name and new music and we’ll be
available as a podcast, but everything else, for better or for worse, stays the
same. To subscribe to the podcast, go to deltabroadcasting.org, find the link
for Q90.1 and click on “podcasts.”
Length doesn't matter. Quality does. You write/record and I'll read/listen. Keep on keepin' on.
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