The last movie I reviewed that was produced by Netflix to appear both on the streaming service and in some select theaters was Adam Sandler’s egregious Western waste of time, The Ridiculous Six. I hated that movie like I hate racism, cancer, and Elvis impersonators, so pretty much anything else Netflix could produce will be an improvement. Fortunately for everyone, their second big screen production, Crouching Tiger, Hidden Dragon: Sword of Destiny, actually is better. Unfortunately for everyone, this sequel isn’t nearly as good as the original.
It’s the sequel to Ang Lee’s 2000 film Crouching Tiger, Hidden Dragon. Lee had made a name for himself in
Hollywood directing elegant literary adaptations and intense dramas, and so
directing a traditional Chinese wuxia film, a martial arts movie that focuses
on chivalry, seemed out of left field. But Lee’s lyricism and elegance combined
with some world class action choreography made for an unusually potent and
successful film. It did great box office and won several awards, including the
Oscar for Best Foreign Film.
Sword of Destiny
takes place 18 years after the first film, and begins with Yu Shu Lien being
attacked on the road as she journeys back to Peking for the first time since
the love of her life, Li Mu Bai, died. She handily dispatches a few dozen
attackers and figures out that the evil warlord, Hades Dai, is trying to claim
the fabled sword, The Green Destiny, so he can be the mightiest warrior in the
kingdom and unite all the different territories into one empire under his rule.
New cast members bring a lot of charm and some comic relief.
A small band of warriors who are followers of the Iron Way come to defend the
Green Destiny, each with a fantastic wuxia name like Silent Wolf, Flying Blade,
and Thunder Fist Chan.
While the film is certainly fun and an enjoyable way to
spend a hundred and three minutes, it pales in comparison to the first film.
Ang Lee’s direction and Chow Yun Fat’s performance and interaction with
Michelle Yeoh gave the original Crouching
Tiger, Hidden Dragon both a lyrical, poetic beauty and an emotional weight.
The film felt epic and dream-like. The duel in the bamboo forest for possession
of the Green Destiny is as lovely and exciting a sequence as I’ve seen in film.
As well choreographed and nicely shot as Sword
of Destiny is, there’s nothing in it that carries the same power
The film was directed by Yuen Woo-Ping, an accomplished and
successful director and fight choreographer in Hong Kong cinema. He does a fine
job here and the action sequences look great. But like most sequels, Sword of
Destiny fails to deliver the power and resonance of the first film. Despite
recurring characters and a very similar plot to the original, Sword of Destiny lacks its distinction.
This could almost be any wuxia film. There’s a generic, computer generated feel
to it at times that fails to create any real friction or texture between the
characters or in the images on the screen.
Still, if you like martial arts action films, you could
definitely do worse than this one.
And if nothing else, it’s way, way better than The Ridiculous Six.
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